Posted in Edublogs

Art, Poetry or Music

desert-749692_1920EduBlogsClub Prompt #18:

Prompt: Write a post that uses art, music, or poetry.

Write a poem or song, draw a picture, create a meme/gif. Get creative!

Or write a post that shares how you use art, poetry, or music in the classroom.

I love art, music and poetry. I remember the few classes I had in those categories over my K-16 career with much fondness. I wish I had received more formal training in those areas and that they had not been treated like fun “extras.” It’s that sentiment that has me rather hyper focused on the arts for my 7th grade son. He had expressed an interest in music from a young age. In my school district, students are not provided any music education until 4th grade. So I asked around and eventually my son ended up at a local university for their community school of music. There he spent a few years learning piano, which served to be an excellent foundation for him picking up other instruments as he got older, including saxophone, trombone, and guitar.

In elementary school I remember being so excited to be a part of the choir. I had wanted to learn how to play the oboe, but family finances prevented that from happening. I also remember enjoying dance, but again, money stood in the way of any extensive lessons. In middle school, I remember balking at home economics (it was the young feminist in me) and signed on for art. I enjoyed the class, but felt I was rather bad at it unfortunately. In high school, my interests turned more toward writing. I really enjoyed my English Composition and AP English classes. I recall enjoying the depth that we dove into various texts. Then during my undergraduate years I remember loving my humanities courses, especially art history and philosophy. It was in college when I finally became a published author, it was a poem I had written for our local literature publication. I could not find it in time to share with this post, but it had been called “La Gitanita” (the gypsy) a poem I wrote in both English and Spanish to represent both sides of my life experience.

There seemed to be little room in my life for art after that. I have to admit I rarely did art in my own classroom for a few reasons…one of the big ones being the fear that doing too much art would be frowned on as the connections to state standards wasn’t strong enough, and the other main reason being having to manage 30+ elementary students excited about art and doing whatever they wanted with the supplies instead of the intended task.

I wish my students would have just been allowed a time for art, just to explore and create, without having to be held accountable for standards. The maker movement makes me think that education is finally coming around to allowing students to just explore, without standards needing to be a major factor.  They key is being at a school with an administrator who supports student exploration. I was at a school like that, and I was allowing my students to explore. While my experiences with traditional art were not strong, my experiences with technology are. I soon realized I preferred my art creation digitally. I ran an after school Minecraft Club, and while I tried to focus the students in my club on activities, I found they just wanted to be free to explore and build. They produced art digitally in Minecraft, and that is not any less valuable than traditional manifestations of art.

This leads me into what the prompt actually asked for, a sharing of art. While I can’t paint or draw or sculpt, I don’t play an instrument, and only sing in the car with the music turned up so loud I can’t actually hear myself, I can take digital photography in a virtual world that I consider art.

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How does art manifest itself in your personal and/or professional life? Share with me in the comments below. 🙂


Posted in Graduate Studies

Instructional Design Principles and Distance Education

The following post has been prepared for GCU TEC-571 Distance Learning in Education and addresses the following prompt: Select three instructional design principles (i.e., graphic cues, examples, combinations of instruction) that you feel should be more developed for learners within distance education courses.”

My present academic experience in an online Masters program is my first time being a learner within a distance education course. I can say honestly that the experience is mixed for me. I am excited to be pursuing the Master’s degree I wanted originally, and I am excited to be learning so much more about the rationale behind the many facets of educational technology. My current course focuses on distance education, and all I have as a personal reference is my rather short tenure as a distance learner.

Much of the discussion in my present course from the onset addresses how distance education cannot simply be treated like your traditional “brick and mortar” education, which I completely agree with. I do however think that the structure of a lesson/course can be similar. For example, lessons in an offline classroom are largely based on Madeline Hunter’s lesson plan format: getting ready to learn (review, anticipatory set, objectives), instruction (input and modeling), checking for understanding (guided practice), independent practice, and finally closure (assessment). I have been teaching long enough to see that there have been variations to the formula but Hunter’s foundation remains unchanged. I have taught solely at the elementary level, but I have been a student of all levels and I know that Hunter’s structure is not limited to elementary lesson structure. It works at all levels.

That being said, I reflect on this widely accepted and successful structure and I find it is not present in my present graduate course. It is my perception that I am provided more of a “Must Do” list of items that I am to complete largely on my own as if it were some sort of independent study. I am assigned a lecture to read as well as a text and other links to other resources, but there really is no meaningful contact with the professors or my peers, and I believe that is a major hurdle in my experience as a distance learner. Sure I can email them or leave a message for them on a message board, but that is no where near the same thing as real human interaction, (the sort of interaction you get when you attend a physical class) which I do believe is possible within the world of educational technology. The theory of Multiple Intelligences presents itself here. In our offline classrooms we are expected to consider the various “intelligences” of our learners (how they learn best) as well as their strengths and weaknesses.  That should be no different for the online learner. Lessons and courses should be designed with this in mind for both offline and online learners.

The power of interacting with your instructors and your peers, is huge and completely possible online. While my present Master’s program is the first time I have been a distance learner in terms of my “official” education as a working professional, I have realized it really is not my first time being a distance learner.

I became a distance learner once I joined the Discovery Educator Network (DEN). The first time I attended a webinar was the beginning of my experiences as a distance learner. Twitter has also added to my experiences as a distance learner in the exchanges I have had that either further contact and communication with a presenter I may have seen at a conference, or with other educators I have networked with. The groundbreaking event for me as a distance learner was the Multi-User Virtual Environment (MUVE) called Second Life (SL).  It was because of the DEN that I joined this community in 2007 and have never left.  I have used Skype more as well as a result of my exploration of SL and use of it to broaden my own personal development as an individual as well as an educator. SL and Skype have single handedly changed how I want to learn (and get the most out of my learning) as a distance learner. They have brought the personal connection that in my opinion, makes distance learning (and in turn distance educating) much more enriching and impactful.

It is my belief via my own experiences as a distance learner in a MUVE, that many instructional design principles can be addressed and enhanced to meet the needs of the distance learner. The only real limitation is the age of the targeted learner. For example, I teach 3rd grade presently and the highest grade I have taught is 5th. A MUVE like SL is best geared toward high school and higher education. However I know MUVEs like Minecraft are used with increasing regularity to instruct younger learners.

A distance course could be housed in SL, but not limited to it. Any Learning Management System (LMS) could be used in conjunction with it, like LoudCloud, which is used in my present course. It serves largely as a syllabus and message board.  With the course structure outlined in a LMS, the courses themselves could be attended in SL (at varying times to account for different time zones) to bring in that personal aspect that is so very important. As with any new software there is a learning curve, and just learning SL itself…an orientation per se, (much like one gets before they go to college) would be an excellent ice-breaker… something we all do as “real-world” educators with a new class.


I am a founding member of a virtual photography education project called VISIONAIRE, which I actively work on with two very dear friends I met in SL, one of whom is an art therapist who has worked with sufferers of post traumatic stress disorder and lives in Ireland (Wren), the other in Singapore who also happens to have real life experience as an educator as well as a photographer for VOGUE (Nariko).

Avatar Name: Nariko Okawa
Avatar Name: WrenNoir Cerise
Avatar Name: Silly Avro (aka Prisilla S. Avro)

It was through my experience as a student in this project as well as a manager that I began to see how the use of a MUVE in distance education was very real and very powerful for both the learner and the instructor. Using VISIONAIRE as a case study and Hunter as a lesson foundation, the following principles can be modified to meet the needs of distance learners.

Instructional Design Principle #1: Getting Ready to Learn (review, anticipatory set, objectives)

In VISIONAIRE it was clear from the onset that our over arching objective was to improve the virtual photography skills of each student. I remember the opening activity vividly. We were tasked with bringing to class an example of a virtual photographer we aspired to be like and one that was not quite our style and explain why. Each student came with a sample from Flickr as there is quite the thriving community of virtual/SL artists there and in SL voice, local text, or Skype we explained our thoughts behind each sample we brought to share with our instructors as well as our classmates. In this activity alone we reviewed our own virtual photography knowledge, understood the objective, and our mutual sharing served as the anticipatory set.

Instructional Design Principle #2: Instruction (input and modeling)

In terms of the actual instruction, the instructors (Nariko and Wren) lectured and facilitated group discussion via inworld voice, local text and Skype, depending on the needs of the group.They modeled via samples of their own work, or via sharing something they were working on to illustrate a point via screen capture tools like Gyazo. We congregated in a building that looked nothing like a traditional classroom. It was more of a cozy building with seating for our avatars. In truth it could have been held anywhere…in an open field, a park, another planet, etc.

With the second batch of students Wren took them on virtual field trips to different locations to challenge their use of inworld photography tools as well as post processing tools such as PhotoShop or Gimp. She also had them build their own tools in SL for use in their virtual photography.

Instructional Design Principle #3: Checking for Understanding (guided practice)

We met inworld weekly and in each session we were given assignments to prepare spotlighting different aspects of virtual photography, and then share with the class upon our next meeting (using the previously mentioned methods). Nariko and Wren would review and comment as well as our peers. It was a deeply meaningful process.

Instructional Design Principle #4: Independent Practice

As mentioned above, we were given assignments to work on for the week. A collection of the assignments from the first two batches can be viewed on Flickr.

Instructional Design Principle #5: Closure (assessment)

When a cycle of instruction comes to a close it is met with a heavy heart on the part of all participants. We celebrate achievements and all the things we have learned and how we have grown with a graduation exhibit housed inworld and promoted on social media (Facebook, Twitter, Google +, blogs). VISIONAIRE students display their final projects in their very own galleries. Avatars come from all over the world to view the work of our students and celebrate the learning and success of their friends. It is quite the experience and well received by both students and attendees.

Batch 1 Graduation Exhibition Invitation (April 2014)
Batch 2 Graduation Exhibition Invitation (January 2015)
VISIONAIRE batch 2 exhibition_004
Batch 2 Graduation Exhibition space in Second Life

While VISIONAIRE is but one example, it is one I was a very active participant in as a learner as well as an educator. It symbolizes for me the very real potential MUVEs  like Second Life have in distance education, and that distance education not be relegated to two dimensional learning management systems and message boards. Distance learning can and should be as vibrant as the traditional offline learning experience.

Draxtor Despres: Education 2.0 – Not Afraid of Second Life!

Draxtor Despres: The Drax Files: World Makers [Episode 19: Virtual Chemistry]


Dickey, M. (2011). The pragmatics of virtual worlds for K-12 educators: investigating the affordances and constraints of Active Worlds and Second Life with K-12 in-service teachers. Educational Technology Research & Development, 59(1), 1-20. doi:10.1007/s11423-010-9163-4

Short, D. (2012). Teaching scientific concepts using a virtual world – Minecraft. Teaching Science: The Journal Of The Australian Science Teachers Association, 58(3), 55-58.

Wang, C., Calandra, B., Hibbard, S., & McDowell Lefaiver, M. (2012). Learning effects of an experimental EFL program in Second Life. Educational Technology Research & Development, 60(5), 943-961. doi:10.1007/s11423-012-9259-0

Yunfei, D. (2011). A Measurement Model of Students’ Behavioral Intentions to Use Second Life Virtual Environments. Journal Of Education For Library & Information Science, 52(1), 41-53.